Gone Girl: A Novel [Kindle Edition] price

you're want to buy Gone Girl: A Novel [Kindle Edition],yes ..! you comes at the right place. you can get special discount for Gone Girl: A Novel [Kindle Edition].You can choose to buy a product and Gone Girl: A Novel [Kindle Edition] at the Best Price Online with Secure Transaction Here...





other Customer Rating:



read more Details

On their fifth wedding anniversary, Nick’s wife Amy disappears. You can find signs and symptoms of struggle inside the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest while using police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling Gone Girl a psychological thriller is definitely an understatement. As revelation after revelation unfolds, it might be clear the truth does not exist inside the middle of Nick and Amy’s points of view; it really is far darker, more twisted, and creepier than it is achievable to imagine. Gone Girl is masterfully plotted, and the suspense doesn’t waver for the single page. It’s among those books you will glance at the have to discuss right as you finish it, because the ending doesn’t just come--it punches you inside gut. --Caley Anderson

“Ice-pick-sharp… Spectacularly sneaky… Impressively cagey… Gone Girl is Ms. Flynn’s dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they’re difficult to spend — even if, like Amy’s case, they are already departed. If you have any doubts about whether Ms. Flynn measures around Patricia Highsmith’s level of discreet malice, return back and look with the small details. Whatever you raced past on the first reading will appear completely different the 2nd time around.” —Janet Maslin, Ny Times

“An ingenious and viperish thriller… It’s going to produce Gillian Flynn a star… The initial 1 / 2 of Gone Girl can be a nimble, caustic riff on our Nancy Grace culture and the way ''The butler did it'' has morphed into ''The husband did it.'' The second half may be the real stunner, though. Now I really am gonna shut up before I spoil what instantly shifts in a great, breathless read. Even as Gone Girl grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and just how often couples are at the mercy of forces beyond their control. As in the event that weren’t enough, Flynn has made a genuinely creepy villain you do not see coming. People love to talk about the banality of evil. You’re planning to meet a maniac you might fall madly in love with. A” —Jeff Giles, Entertainment Weekly

“An irresistible summer thriller having a twisting plot worth Alfred Hitchcock. Burrowing deep into the murkiest corners with the human psyche, this delectable summer read will provide you with the creeps and keep yourself on edge before the last page.” —People (four stars)

“[A] thoroughbred thriller in relation to its the nature of identity as well as the terrible secrets that may survive and thrive in even essentially the most intimate relationships. Gone Girl begins as a whodunit, but from the end it's going to have you ever wondering whether there’s any such thing like a who at all.” —Lev Grossman, Time

“How did things get so bad? That’s the reason to read this book. Gillian Flynn — whose award-winning Dark Places and Sharp Objects also shone a dark light on weird and creepy, to never mention uber dysfunctional characters — delves this time into what occurs when two people marry then one spouse has not a clue who their beloved really is.” —USA Today, Carol Memmott

“It’s simply fantastic: terrifying, darkly funny at times moving. The minute I finished it I planned to start it all over again. Admirers of Gillian Flynn’s previous books, Sharp Objects and Dark Places, will likely be ecstatic over Gone Girl, her most intricately twisted and deliciously sinister story, dangerous for any reader who prefers to savor a novel as against consuming it whole in a single sitting….” —Associated Press, Michelle Weiner

“Gillian Flynn’s third novel is both breakneck-paced thriller and masterful dissection of marital breakdown… Wickedly plotted and surprisingly thoughtful, this can be a terrifically good read.” —Boston Globe

“That adage of no person knows what continues behind closed doors moves the plot of Gone Girl, Gillian Flynn's suspenseful psychological thriller… Flynn's unpredictable plot of Gone Girl careens down an emotional highway where this couple dissects their marriage with sharp acumen… Flynn has shown her skills at gripping tales and enhanced character studies since her debut Sharp Objects, which garnered an Edgar nod, among other nominations. Her second novel Dark Places made numerous better of lists. Gone Girl reaffirms her talent.”  —South Florida Sun-Sentinel, Oline Cogdill

“A great crime novel, however, is definitely an unstable thing, entertainment and literature suspended in a few undetermined solution. Take Gillian Flynn’s Gone Girl, the third novel by considered one of a trio of contemporary women writers (the other medication is Kate Atkinson and Tana French) who're kicking the genre in to a higher gear… You couldn’t say that is often a crime novel that’s ultimately with relation to a marriage, which could transform it into a literary novel in disguise. The crime and also the marriage are inseparable. As Gone Girl works itself up into an aria of ingenious, pitch-black comedy (or comedic horror — it’s a amount of both), its very outlandishness teases out a truth about all magnificent partnerships: Sometimes it’s your enemy who brings your top in you, plus such cases, you want to keep him close.” —Salon
 
“Ms. Flynn writes dark suspense novels that anatomize violence without splashing barrels of blood round the pages… But as in their other books, Ms. Flynn has far more up her sleeve compared to a simple missing-person case. As Nick and Amy's alternately tell their stories, marriage hasn't looked so menacing, narrators so unreliable.”  —Wall Street Journal

“A portrait of a marriage so hilariously terrifying, it'll make you've a great hard consider who the person on the opposite side in the bed really is. This novel can be so bogglingly twisty, we could only provide you with the initial premise: on their fifth anniversary, Nick Dunne’s beloved wife Amy disappears, and signs point to very foul play indeed. Nick has to his name before police officers finger him for Amy’s murder.” —Time

“Readers who prefer more virulent strains of unreality will appreciate the sneaky mind games of Gillian Flynn’s Gone Girl, a thriller rooted within the portrait of the tricky and troubled marriage.” —New York Times

“[Flynn has] quite outdone herself with a tale of marital strife so deliciously devious which it moves the finish line on The War from the Roses… A novel studded with disclosures and guided by purposeful misdirection… Flynn delivers a wickedly clever cultural commentary as well like a complex and driven mystery… What fun this novel is.” —New York Daily News
 
“Flynn’s brilliantly constructed and consistently absorbing third novel begins around the Dunnes’ fifth wedding anniversary… The novel, which twists itself into new shapes, works being a page-turning thriller, but it’s also a study of marriage at its most destructive.” —Columbus Dispatch
 
“Gillian Flynn's barbed and brilliant Gone Girl has two deceitful, disturbing, irresistible narrators along with a plot that twists numerous times you'll be dizzy. This "catastrophically romantic" story about Nick and Amy can be a "fairy tale reverse transformation" that reminded me of Patricia Highsmith in their psychological suspense and Kate Atkinson in the insanely clever plotting.” —Minneapolis Star-Tribune
 
“For a creepy, suspenseful mystery, Ms. Pearl suggested Gone Girl by Gillian Flynn, a novel due out this week. "You will not be capable of find out the final at all. I can't sleep the night after I read it. It's really good," Ms. [Nancy] Pearl said. "It's about the best way we deceive ourselves and deceive others."” —Pittsburgh Post-Gazette

“Gillian Flynn's new novel, Gone Girl, is that rare thing: a novel that thrills and delights while holding up an image to how we live… Through her two ultimately unreliable narrators, Flynn masterfully weaves the slow trickle of critical details with 90-degree plot turns… Timely, poignant and emotionally rich, Gone Girl will peel away your comfort levels even while you root for its protagonists—despite your best intuition.” —San Francisco Chronicle
 
“Flynn’s third noir thriller recently launched to a lot more acclaim as opposed to initial two novels, polishing her reputation for pushing crime fiction to your new literary level so when a craftsman of deliciously twisting and twisted plots.” —Kansas City Star
 
“I grabbed Gone Girl for the reason that novel is set down the Mississippi River in Missouri and the plot sounded intriguing. I input it down two days later, bleary-eyed and oh-so-satisfied after reading a story that left me surprised, disgusted, and riveted by its twists and turns… A good story presents a reader having a problem which includes to get resolved plus a few surprises across the way. A great story gives a reader a difficulty and leads you along a path, then dumps you off a cliff and into a jungle of plot twists, character revelations and back stories that you simply can't have imagined. Gone Girl does just that.” —St. Louis Post-Dispatch

“To call Gillian Flynn's new novel almost review-proof isn't a put-down, it's actually a fact. That's because to provide away the turn-of-the-screw with this chilling portrait of your marriage gone wrong can be a crime. I can say that Gone Girl is an ingenious whodunit for the Facebook generation and old-school mystery buffs. Whoever you are, it'll linger, like fingerprints over a gun… Flynn's characters bloom and grow, like beautiful, poisonous plants. She is a Gothic storyteller for that Internet age.” —Cleveland Plain Dealer

“The setup of Gone Girl lulls readers using what appears being a done-too-often plot, but, oh, how misleading that is. This thriller is told in alternating voices, a risky kind of narrative that works masterfully here as the characters are so distinct and convincing…. The 1st half in the story leads readers on the merry chase and provides term "red herring" new meaning. The second half takes readers on a calculated descent into madness. The ending…is one of...